The third volume of Haruki Murakami’s mega-hit 1Q84 went on sale Friday morning in Japan.
Tonight at 7pm, Hari Kunzru will visit WORD bookstore at 126 Franklin Street, Brooklyn, NY for an event co-hosted by The Millions. Visit the WORD website for further details and RSVP. Join us!
Chad Harbach's The Art of Fielding is ubiquitous. We tapped it in our Second Half of 2011 Preview. n+1 bundled it with year-long subscriptions. The Awl interviewed the author. The New Yorker's Book Club picked it as their September book. It was reviewed in The New York Times. Now Keith Gessen's expanded his Vanity Fair piece on the novel's development into a standalone e-book. In light of all this hype, McNally Jackson's Tumblr provides a poignant list of baseball puns for reviewers to start avoiding.
For those among us who have missed the eighties, from now until November 8th, Esquire magazine is hosting a special pop-up edition of SPY, that late-millennial stalwart of satirical journalism. Co-founder (and novelist) Kurt Andersen said he was moved to bring the magazine back because "lots more people, pretty much every day, said to me, 'SPY really needs to be rebooted, if only just for the election.'" If it's election satire you want, we highly recommend our own Jacob Lambert's literary cagematch: Hemingway vs. Faulkner vs. Trump.
Back in 1988, Tad Williams published the first book of the Memory, Sorrow and Thorn series, which inspired George R.R. Martin to start writing A Song of Ice and Fire. Now, more than twenty years after publishing the last installment (and just as the new season of Game of Thrones begins), Williams announced that he’s writing a sequel, The Last King of Osten Ard. You could also read our own Janet Potter’s review of the first Game of Thrones book.
Who's the Jimi Hendrix of Wordstock? Though it is unlikely to become a lasting cultural landmark the caliber of Woodstock, the recent Wordstock festival in Portland was nonetheless a runaway success for its 6,000 attendees. This piece on the London Book Fair has a decidedly different tone.