Dominic Umile recalls his directionless 20s spent working menial jobs, reading Ray Bradbury, and the day his hero wrote him back.
Looking for something to watch this weekend? Got Hulu Plus? Well, start working your way through the veritable treasure trove that is the Criterion Collection. And don’t worry. If you’re as overwhelmed by the selection as I am, this top ten list by filmmaker Dean Peterson can serve as a great guide. Also, for what it’s worth, I’m partial to Andrei Tarkovsky’s Andrei Rublev.
Have you ever tweeted only to delete it a minute later after discovering a typo? Yes, even we aren't immune. At The New Yorker, our own Mark O'Connell examines the public humiliation that follows after you tweet something regrettable. Pair with: Our piece on literary Twitter's first tweets.
"I am not at all sure—convinced, certain, persuaded—that creative-writing courses are a good idea unless they prevent people from writing sentences like this one, where adjectives—useful, helpful, intensely descriptive words—are stacked upon one another as Pelion used to be piled upon Ossa." Alexander McCall Smith on the dangers of overwriting.