Out this week: M Train by Patti Smith; Mothers, Tell Your Daughters: Stories by Bonnie Jo Campbell; 100 Years of the Best American Short Stories edited by Lorrie Moore; The Secret Chord by Geraldine Brooks; The Tsar of Love and Techno by Anthony Marra; Death by Water by Kenzaburō Ōe; and Ghostly: A Collection of Ghost Stories by Audrey Niffenegger. For more on these and other new titles, go read our Great Second-Half 2015 Book Preview.
Out this week: The Relic Master by Christopher Buckley; Paradise City by Elizabeth May; The Merman by Carl-Johan Vallgren; and The Penguin Collected Plays of Arthur Miller. For more on these and other new titles, check out our Great Second-Half 2015 Book Preview.
I’ve written before about Literary Enemies, a series at the Ploughshares blog in which two writers are shown to have opposing sensibilities. This week, Lily Meyer argues that Flannery O’Connor and Marilynne Robinson are a worthy addition to the series, as the former contracts narrative space and the latter expands it. Sample quote: “It seems to me that Marilynne Robinson’s project, in her books suffused with Protestant belief, has nothing to do with Jesus or with God."
The literary it-boys Katie Roiphe described last week in her provocative New York Times essay may say a polite "no, thank you" to sex, but not Legends of the Fall author Jim Harrison. No, sir. His lusty men of all shapes and sizes (octogenarians, clubfooted teens) take second helpings with gusto in his new collection The Farmer's Daughter.
Slate corrects an oversight to Sarah Palin's otherwise impeccably edited memoir: no index. Theirs runs from "Alaska, autumn bouquet of" (page 1) to "'you betcha' - revelation of as not actually Alaska's state motto" (page 309), and includes such helpful detours as "exclamation point, usage of" (pages 4, 26, 120, 121, 122, 138, 150...) You almost - almost - don't have to read the book.